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Purcell by John F. Runciman
page 16 of 55 (29%)
succeeded him in 1674. Dr. Blow afterwards claimed to have been
Purcell's master, and, as Purcell was certainly his pupil, there seems
no reason for doubting him. Purcell was, of course, sixteen years of age
when Humphries died, and no longer a mere choir-boy; but he remained
attached to Westminster Abbey and the Chapel Royal. According to the
records of the "King's Musick," on June 10, 1673, there is a "warrant to
admit Henry Purcell in the place of keeper, maker, mender, repayrer and
tuner of the regalls, organs, virginalls, flutes and recorders and all
other kind of wind instruments whatsoever, in ordinary, without fee, to
his Majesty, and assistant to John Hingston, and upon the death or other
avoydance of the latter, to come in ordinary with fee." So late as 1683,
when Purcell had been organist of Westminster Abbey for about three
years, he was appointed to be "organ-maker and keeper in the place of
Mr. Hingston, deceased." The conjecture of Rev. Henry Cart de
Lafontaine, editor of these records (published by Novello) seems to be
correct: Purcell must have been apprenticed to Hingston and afterwards
succeeded him. In later warrants he is authorised to buy wood, metal and
Heaven knows what else--he can buy what he likes as long as he keeps the
instruments in order and in tune. Charles II. had a good ear. In 1676
Purcell was appointed "copyist" of Westminster Abbey, whatever post that
may have been. In 1677 "Henry Purcell" is "appointed composer in
ordinary with fee for the violin to his Majesty, in the place of Matthew
Lock, deceased." I fancy that his tuition from Dr. Blow must have been
mainly in organ-playing, in which art Dr. Blow was an esteemed master.
At the same time, we must not forget that we have Purcell's own word for
it that Blow was one of the greatest masters of composition in the
world. Purcell spoke of Dr. Blow's technical mastery of the tricks of
canon-writing, which Purcell himself was much addicted to, and greatly
enjoyed. Dr. Blow may have taught Purcell something of the older
technique; that of Lulli and the Italians he must have learnt from
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