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Punch, or the London Charivari, Volume 152, March 21, 1917 by Various
page 37 of 48 (77%)
within kissing distance of each other) to keep _Jules_ in good humour since
_Tony's_ chances depended upon his patronage. But it couldn't have helped
much to tell _Jules_ with such appalling candour that the shiver produced
by his kiss was the same kind as she had once felt when a rat ran over her
face during sleep. However, _Jules_ was not a _beau_ for nothing and could
afford this exceptional set-back to one of his many amours. There was, by
the way, an excellent little comedy scene between him and his wife, played
by Miss MURIEL POPE with a quiet humour as piquant as her gown.

As _Manon_, the querulous termagant that _Tony_ had taken for mistress,
Miss HILDA MOORE was not very kindly served by her part--so rudimentary
that its highest flight was achieved when, with a Parthian shot, she
referred to _Tony_ as a geni-ass.

I will not forecast a limited success for this play, for who would dare to
say that there is not always room in the broad British bosom for yet
another triumph of sentiment over ideas--I speak of the play itself and not
of the performance? If only for Miss LÖHR'S sake I could wish that the best
of fortune may attend it; for to have worn her hair as she did in the
Second Act, out of regard for the period, was a sacrifice as fine as any
that women have shown in the course of Armageddon (if I may judge of them
by their portraits in the Photographic Press), and she ought to have her
reward, bless her heart! O.S.

* * * * *

"GENERAL POST."

It would be easy to make fun of the exaggerations and ultra-simplifications
of Mr. TERRY'S new comedy. It is much pleasanter (and juster) to dwell on
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