wastes; replacing dreams of fiction by other prospective visions of
walks by

'Fountain-heads, and pathless groves;
Places which pale passion loves.'

This cannot be; but I may work substantial husbandry--_i.e._ write
history, and such concerns." It was under pressure of calamity like this
that Sir Walter Scott was compelled to make himself known as the author
of "Waverley." Closely upon this followed the death of his wife, his
thirty years' companion. "I have been to her room," he wrote in May,
1826; "there was no voice in it--no stirring; the pressure of the coffin
was visible on the bed, but it had been removed elsewhere; all was neat
as she loved it, but all was calm--calm as death. I remembered the last
sight of her: she raised herself in bed, and tried to turn her eyes
after me, and said with a sort of smile, 'You have all such melancholy
faces.' These were the last words I ever heard her utter, and I hurried
away, for she did not seem quite conscious of what she said; when I
returned, immediately departing, she was in a deep sleep. It is deeper
now. This was but seven days since. They are arranging the chamber of
death--that which was long the apartment of connubial happiness, and of
whose arrangement (better than in richer houses) she was so proud. They
are treading fast and thick. For weeks you could have heard a footfall.
Oh, my God!"

A few years yet of his own battle, while the shadows of night and death
were gathering about him, and they were re-united. In these "Letters
upon Demonology and Witchcraft," addressed to his son-in-law, written
under the first grasp of death, the old kindliness and good sense,
joined to the old charm in story-telling, stand firm yet against every