including Sir Pertinax, are more true to the theatre than to the actual
life of the last quarter of the eighteenth century. Still, Sir Pertinax is
vigorous, and the author's position is unmistakable.

The earliest portion of _The Man of the World_ in the Larpent Collection
is a passage in the fourth act of _The School for Husbands_, performed at
Covent Garden as _The Married Libertine_ on 28 January 1761, twenty years
before _The Man of the World_ was finally presented in London. Elsewhere I
have compared the three complete versions submitted to the Examiner and
have shown why the Lord Chamberlain could not permit it to be licensed.[4]

_The Man of the World_ was first published in England, with Macklin's
farce _Love a la Mode_, by subscription, in a handsome quarto. Facing the
title-page is a portrait of the author, "in his 93.^d Year," engraved by
John Condé after Opie, for which the trustees of the fund paid 25 guineas.
Preceding the text of the play are the list of subscribers, which contains
many eminent names, an "Advertisement from the Editor," explaining the
occasion and method of publication and giving an account of the handling
of the fund by the trustees, and a dedication to Lord Camden, dated 10
December 1792, and signed by Macklin, though one rather suspects that
Arthur Murphy had a hand in its composition. These pieces of front matter
have been omitted from the present reproduction as containing nothing
material to the reading or interpretation of the play. The _Dramatis
Personae_ follow, and the text begins with signature B page 1, and runs to
signature K2^{V}. _Love a la Mode_, not reprinted here, then follows,
with separate title-page and pagination.

Dougald MacMillan

The University of North Carolina