that the songs of the folk are mournful, and that the story of the
Fianna, whenever the queens lament for their lovers, reminds us of songs
that are still sung in country-places? Their grief, even when it is to
be brief like Grania's, goes up into the waste places of the sky. But
in supreme art or in supreme life there is the influence of the sun too,
and the sun brings with it, as old writers tell us, not merely
discipline but joy; for its discipline is not of the kind the multitudes
impose upon us by their weight and pressure, but the expression of the
individual soul turning itself into a pure fire and imposing its own
pattern, its own music, upon the heaviness and the dumbness that is in
others and in itself. When we have drunk the cold cup of the moon's
intoxication, we thirst for something beyond ourselves, and the mind
flows outward to a natural immensity; but if we have drunk from the hot
cup of the sun, our own fullness awakens, we desire little, for wherever
one goes one's heart goes too; and if any ask what music is the
sweetest, we can but answer, as Finn answered, "what happens." And yet
the songs and stories that have come from either influence are a part,
neither less than the other, of the pleasure that is the bride-bed of
poetry.


VIII

Gaelic-speaking Ireland, because its art has been made, not by the
artist choosing his material from wherever he has a mind to, but by
adding a little to something which it has taken generations to invent,
has always had a popular literature. One cannot say how much that
literature has done for the vigour of the race, for one cannot count the
hands its praise of kings and high-hearted queens made hot upon the
sword-hilt, or the amorous eyes it made lustful for strength and beauty.