trembling on the wall of the workshop as though it were silently
mocking us. The huge oven looked like the deformed head of a
fairy-tale monster. It looked as though it thrust itself out from
underneath the floor, opened its wide mouth full of fire, and
breathed on us with heat and stared at our endless work through the
two black air-holes above the forehead. These two cavities were like
eyes--pitiless and impassible eyes of a monster: they stared at us
with the same dark gaze, as though they had grown tired of looking at
slaves, and expecting nothing human from them, despised them with the
cold contempt of wisdom. Day in and day out, amid flour-dust and mud
and thick, bad-odored suffocating heat, we rolled out the dough and
made biscuits, wetting them with our sweat, and we hated our work
with keen hatred; we never ate the biscuit that came out of our
hands, preferring black bread to the cracknels. Sitting by a long
table, one opposite the other--nine opposite nine--we mechanically
moved our hands, and fingers during the long hours, and became so
accustomed to our work that we no longer ever followed the motions of
our hands. And we had grown so tired of looking at one another that
each of us knew all the wrinkles on the faces of the others. We had
nothing to talk about, we were used to this and were silent all the
time, unless abusing one another--for there is always something for
which to abuse a man, especially a companion. But we even abused one
another very seldom. Of what can a man be guilty when he is half
dead, when he is like a statue, when all his feelings are crushed
under the weight of toil? But silence is terrible and painful only
to those who have said all and have nothing more to speak of; but to
those who never had anything to say--to them silence is simple and
easy. . . . Sometimes we sang, and our song began thus: During work
some one would suddenly heave a sigh, like that of a tired horse, and
would softly start one of those drawling songs, whose touchingly