introduction by Emerson, is also of interest.

The last essay in the volume on "A Plea for Freedom from Speech and
Figures of Speech-Makers" shows Lowell's satirical powers at their best.
Ferris Greenslet tells us, in his book on Lowell, that the Philip Vandal
whose eloquence Lowell ridicules is Wendell Phillips. The essay gives
Lowell's humorous comments on various matters, especially on
contemporary types of orators, reformers, and heroes. It represents
Lowell as he is most known to us, the Lowell who is always ready with
fun and who set the world agog with his "Biglow Papers."

Lowell's work as a critic dates from the rare volume "Conversations on
Some of the Old Poets," published in 1844 in his twenty-fifth year,
includes his best-known volumes "Among My Books" and "My Study Windows,"
and most fitly concludes with the "Latest Literary Essays," published in
the year of his death in 1891. My sincere hope is that this book will
not be found to be an unworthy successor to these volumes.

Though some of Lowell's literary opinions are old-fashioned to us (one
author even wrote an entire volume to demolish Lowell's reputation as a
critic), there is much in his work that the world will not let die. He
is highly regarded abroad, and he is one of the few men in our
literature who produced creative criticism.

Thanks and acknowledgments are due the _Century Magazine_ and the
literary representatives of Lowell, for permission to reprint in this
volume the first five essays, which are copyrighted and were published
in the _Century Magazine_.

ALBERT MORDELL