ritual application. It must not be forgotten that the ritual, as it is
known in the Br[=a]hmanas, without the slightest doubt, from the point
of view of language, social conditions, and theology, represents an
age that is very different to that illustrated by the mass of the
hymns. Such hymns, therefore, and only such as can be proved to have a
ritualistic setting can be referred to a ritualistic age. There is no
convincing reason why one should not take the fully justified view
that some of the hymns represent a freer and more natural (less
priest-bound) age, as they represent a spirit freer and less
mechanical than that of other hymns. As to the question which hymns,
early or late, be due to poetic feeling, and which to ritualistic
mechanism or servile imitation, this can indeed be decided by a
judgment based only on the literary quality, never on the accident of
subsequent rubrication.

We hold, therefore, in this regard, that the new school, valuable and
suggestive as its work has been, is gone already farther than is
judicious. The Rig Veda in part is synchronous with an advanced
ritualism, subjected to it, and in some cases derived from it; but in
part the hymns are "made for their own sake and not for the sake of
any sacrificial performance," as said Muller of the whole; going in
this too far, but not into greater error than are gone they that
confuse the natural with the artificial, the poetical with the
mechanical, gold with dross. It may be true that the books of the Rig
Veda are chiefly family-books for the _soma_-cult, but even were it
true it would in no wise impugn the poetic character of some of the
hymns contained in these books. The drag-net has scooped up old and
new, good and bad, together. The Rig Veda is not of one period or of
one sort. It is a 'Collection,' as says its name. It is essentially
impossible that any sweeping statement in regard to its character