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The Art of Lawn Tennis by William (Bill) Tatem Tilden
page 19 of 197 (09%)
and "shake hands" with it, just as if you were greeting a friend.
The handle settled comfortably and naturally into the hand, the
line of the arm, hand, and racquet are one. The swing brings the
racquet head on a line with the arm, and the whole racquet is
merely an extension of it.

The backhand grip is a quarter circle turn of hand on the handle,
bringing the hand on top of the handle and the knuckles directly
up. The shot travels ACROSS the wrist.

This is the best basis for a grip. I do not advocate learning
this grip exactly, but model your natural grip as closely as
possible on these lines without sacrificing your own comfort or
individuality.

Having once settled the racquet in the hand, the next question is
the position of the body and the order of developing strokes.

In explaining footwork I am, in future, going to refer in all
forehand shots to the right foot as R or "back" foot, and to the
left as L or "front." For the backhand the L foot is "back" and R
is "front."

All tennis strokes, should be made with the body' at right angles
to the net, with the shoulders lined up parallel to the line of
flight of the ball. The weight should always travel forward. It
should pass from the back foot to the front foot at the moment of
striking the ball. Never allow the weight to be going away from
the stroke. It is weight that determines the "pace" of a stroke;
swing that, decides the "speed."
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