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Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885 by Various
page 95 of 242 (39%)

"It is less because we club together," said Fräulein Vogel.

Kitty might have suspected something if her new friend had not had the
name of being so close-fisted. Who would dream that Hedwig Vogel could be
free-handed?--she who would beat a _gemåse-frau_ out of two cents; she who
refused to subscribe to the fund for painters' widows, declaring that it
was as likely she would leave a widow as be left one. She was not
susceptible, she cared naught for sweet smiles and gentle ways. That she,
a gaunt, grim, brusque woman of fifty, could suddenly feel all the stifled
mother-love within her spring up,--that was preposterous, the vain
imagining of a romancer.

They worked together, these two, in Hedwig Vogel's studio, and Kitty
strove to make up for her lack of talent by her abundance of patience.

"Why did you decide to be a painter?" Fräulein Vogel asked her one day.

"Because I had a start in that line," Kitty answered. "If I had had a
start in music I should have tried to play or sing. I wonder if I could
sing? They say everybody has a voice. People are just like fields: plough
'em up, plant cabbages, plant potatoes, you can raise some sort of a crop.
How do you happen to be a painter?"

Hedwig Vogel paused, palette in one hand, brush in the other. "Because I
would rather paint than eat," she answered.

"That is genius," said Kitty solemnly. "I would rather eat. That is lack
of genius. But because I want to eat I paint. That is--what would you call
that?"
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