finding her self at all Times alone with him in Places which
favour'd their Loves, cou'd always resist his Addresses; there are
too Nice Occasions; and an Author wou'd not enough observe good
Sense, if he therein exposed his Heroins; 'tis a Fault which Authors
of_ Romances _commit in every Page; they would blind the Reader
with this Miracle, but 'tis necessary the Miracle shou'd be
feisable, to make an Impression in the Brain of Reasonable Persons;
the Characters are better managed in the Historical Novels, which
are writ now-a-days; they are not fill'd with great Adventures, and
extraordinary Accidents, for the most simple Action may engage the
Reader by the Circumstances that attend it; it enters into all the
Motions and Disquiets of the Actor, when they have well express'd to
him the Character. If he be Jealous, the Look of a Person he Loves,
a Mouse, a turn of the Head, or the least complaisance to a Rival,
throws him into the greatest Agitations, which the Readers perceive
by a Counter-blow; if he be very Vertuous, and falls into a
Mischance by Accident, they Pity him and Commiserate his
Misfortunes; for Fear and Pity in Romance as well as Tragedies are
the Two Instruments which move the Passion; for we in some Manner
put our selves in the Room of those we see in Danger; the Part we
take therein, and the fear of falling into the like Misfortunes,
causes us to interest our selves more in their Adventures, because
that those sort of Accidents may happen, to all the World; and it
touches so much the more, because they are the common Effect of
Nature._

_The Heroes in the Ancient_ Romances _have nothing in them that is
Natural; all is unlimited in their Character; all their Advantages
have Something Prodigious, and all their Actions Something that's
Marvellous; in short, they are not Men: A single Prince attact by a