Maitre Cornelius by Honoré de Balzac
page 5 of 82 (06%)
page 5 of 82 (06%)
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The chair into which the young man had slipped was close to a chapel placed between two columns and closed by an iron railing. It was customary for the chapter to lease at a handsome price to seignorial families, and even to rich burghers, the right to be present at the services, themselves and their servants exclusively, in the various lateral chapels of the long side-aisles of the cathedral. This simony is in practice to the present day. A woman had her chapel as she now has her opera-box. The families who hired these privileged places were required to decorate the altar of the chapel thus conceded to them, and each made it their pride to adorn their own sumptuously,--a vanity which the Church did not rebuke. In this particular chapel a lady was kneeling close to the railing on a handsome rug of red velvet with gold tassels, precisely opposite to the seat vacated of the burgher. A silver-gilt lamp, hanging from the vaulted ceiling of the chapel before an altar magnificently decorated, cast its pale light upon a prayer-book held by the lady. The book trembled violently in her hand when the young man approached her. "A-men!" To that response, sung in a sweet low voice which was painfully agitated, though happily lost in the general clamor, she added rapidly in a whisper:-- "You will ruin me." The words were said in a tone of innocence which a man of any delicacy ought to have obeyed; they went to the heart and pierced it. But the stranger, carried away, no doubt, by one of those paroxysms of passion |
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