the dun gray clouds of an autumn night. The fantastic figures crowded
on the marble of the fireplace, which was opposite to the bed, were so
grotesquely hideous that she dared not fix her eyes upon them, fearing
to see them move, or to hear a startling laugh from their gaping and
twisted mouths.

At this moment a tempest was growling in the chimney, giving to every
puff of wind a lugubrious meaning,--the vast size of the flute putting
the hearth into such close communication with the skies above that the
embers upon it had a sort of respiration; they sparkled and went out
at the will of the wind. The arms of the family of Herouville, carved
in white marble with their mantle and supporters, gave the appearance
of a tomb to this species of edifice, which formed a pendant to the
bed, another erection raised to the glory of Hymen. Modern architects
would have been puzzled to decide whether the room had been built for
the bed or the bed for the room. Two cupids playing on the walnut
headboard, wreathed with garlands, might have passed for angels; and
columns of the same wood, supporting the tester were carved with
mythological allegories, the explanation of which could have been
found either in the Bible or Ovid's Metamorphoses. Take away the bed,
and the same tester would have served in a church for the canopy of
the pulpit or the seats of the wardens. The married pair mounted by
three steps to this sumptuous couch, which stood upon a platform and
was hung with curtains of green silk covered with brilliant designs
called "ramages"--possibly because the birds of gay plumage there
depicted were supposed to sing. The folds of these immense curtains
were so stiff that in the semi-darkness they might have been taken for
some metal fabric. On the green velvet hanging, adorned with gold
fringes, which covered the foot of this lordly couch the superstition
of the Comtes d'Herouville had affixed a large crucifix, on which