COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1 by Alexander von Humboldt
page 11 of 635 (01%)
page 11 of 635 (01%)
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my work contains introductory considerations regarding the diversity in the
degrees of enjoyment to be derived from nature, and the knowledge of the laws by which the universe is governed; it also considers the limitation and scientific mode of treating a physical description of the universe, and gives a general picture of nature which contains a view of all the phenomena comprised in the Cosmos. This general picture of nature, which embraces within its wide scope the remotest nebulous spots, and the revolving double stars in the regions of space, no less than the telluric phenomena included under the department of the geography of organic forms (such as plants, animals, and races of men), comprises all that I deem most specially important with regard to the connection existing between generalities and specialities, while it moreover exemplifies, by the form and style of the composition, the mode of treatment pursued in the selection of the results obtained from experimental knowledge. The two succeeding volumes will contain a consideration of the particular means of incitement toward the study of nature (consisting in animated delineations, landscape painting, and the arrangement and cultivation of exotic vegetable forms), of the history of the contemplation of the universe, or the gradual development of the reciprocal action of natural forces constituting one natural whole; and lastly, of the special p 11 branches of the several departments of science, whose mutual connection is indicated in the beginning of the work. Wherever it has been possible to do so, I have adduced the authorities from whence I derived my facts, with a view of affording testimony both to the accuracy of my statements and to the value of the observations to which reference was made. In those instances where I have quoted from my own writings (the facts contained in which being, from their very nature, scattered through different portions of my works), I have always referred to the original editions, owing to the |
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