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The Crest-Wave of Evolution - A Course of Lectures in History, Given to the Graduates' Class in the Raja-Yoga College, Point Loma, in the College-Year 1918-19 by Kenneth Morris
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act or scene, he introduces the watchman on the house-top who
first sees the beacons that announce the fall of Troy, on the
very night that Troy fell,--and the return of Agamemnon in his
chariot to Argos.

In the _Choephori_ or _Libation-Pourers,_ the second play of the
trilogy, Orestes returns from his Wittenberg, sent by Apollo to
avenge his father. The scene again is in front of the house of
Atreus. Having killed Aegistlios within, Orestes comes out to
the Chorus; then Clytemnestra enters; he tells her what he has
done, and what he intends to do; and despite her pleadings,
leads her in to die beside her paramour. He comes out again,
bearing (for his justification) the blood-stained robe of
Agamemnon;--but he comes out distraught and with the guilt of
matricide weighing on his soul. The Chorus bids him be of good
cheer, reminding him upon what high suggestion he has acted; but
in the background he, and he alone, sees the Furies swarming to
haunt him, "like Gorgons, dark-robed, and all their tresses hang
entwined with many serpents; and from their eyes is dropping
loathsome blood." He must wander the world seeking purification.
In the _Eumenides_ we find him in the temple of Loxias (the
Apollo) at Delphi, there seeking refuge with the god who had
prompted him to the deed. But even there the Furies haunt him--
though for weariness--or really because it is the shrine of
Loxias--they have fallen asleep. From them even Loxias may not
free him; only perhaps Pallas at Athens may do that; Loxias
announces this to him and bids him go to Athens, and assures him
meanwhile of his protection.

To Athens then the scene changes, where Orestes' case is tried:
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