The Goose Girl by Harold MacGrath
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page 8 of 312 (02%)
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the city gates, which in modern times were never closed. It traversed
the lumpy cobbles of the narrow streets, under hanging gables, past dim little shops and markets, often unintentionally crowding pedestrians into doorways or against the walls. One among those so inconvenienced was a youth dressed as a vintner. He was tall, pliantly built, blond as a Viking, possessing a singular beauty of the masculine order. He was forced to flatten himself against the wall of a house, his arms extended on either side, in a kind of temporary crucifixion. Even then the stirrup of the American touched him slightly. But it was not the touch of the stirrup that startled him; it was the dark, clean-cut face of the rider. Once they were by, the youth darted into a doorway. "He? What can he be doing here? No, it is utterly impossible; it is merely a likeness." He ventured forth presently, none of the perturbation, however, gone from his face. He ran his hand across his chin; yes, he would let his beard grow. The duke and his escort turned into the broad and restful sweep of the König Strasse, with its fashionable residences, shops, cafés and hotels. At the end of the _Strasse_ was the Ehrenstein Platz, the great square round which ran the palaces and the royal and public gardens. On the way many times the duke raised his hand in salutations; for, while not exactly loved, he was liked for his rare clean living, his sound sense of justice and his honest efforts to do what was right. Opera-singers came and went, but none had ever penetrated into the private suites of the palace. The halt was made in the courtyard, and all dismounted. The American thanked the duke gratefully for the use of the horse. |
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