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Punch, or the London Charivari, Volume 102, May 7, 1892 by Various
page 17 of 48 (35%)
in the act by R.C. CRAWFORD (give him several inches of canvas, and
he'll take a NELL) as she was about to put a little water out of the
stream into the fresh milk pail.

[Illustration: No. 212. "The Left-out Gauntlet." "Come as you
are, indeed! Nonsense. It's most annoying! Here am I got up most
expensively as a Knight in Armour, and I'm blessed if the confounded
cuss of a cusstumier hasn't forgotten to send my right gauntlet!" John
Pettie, R.A.]

[Illustration: No. 173. "A First Rehearsal." "The celebrated actor,
Mr. Gommersal of Astley's Amphitheatre, made up and attired as the
Great Napoleon, entered the Manager's room, where the author of the
Equestrian Spectacular Melodrama of 'The Battle of Waterloo' was
seated finishing the last Act. 'What do you think of this?' asked Mr.
G., triumphantly. 'Not a bit like it,' returned the author, sharply.
'What!' exclaimed the astonished veteran, 'do you mean to say my
make-up for Napoleon isn't good! Well I'm ----' 'You will be, if
you appear like that,' interrupted the author decisively,"--Vide
_Widdicomb's History of the Battle of Waterloo at Astley's_. W.Q.
Orchardson, R.A.]

[Illustration: No. 344. The Reeds' Entertainment. Gallery of
Illustration. Interval during change of costume. "Behold these
graceful Reeds!" Arthur Hacker.]

No. 130. _A (Sir Donald) Currie_, admirably done in P. and O. (Paint
and Oil) by W.W. OULESS, R.A.

[Illustration: No. 204. "Three Little Maids from School." A wealth of
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