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Sister Teresa by George (George Augustus) Moore
page 23 of 432 (05%)
success, she began to talk to some of her women friends, thinking it
unwise to go back into a shadowy corner with Owen, making herself
the subject of remark; for though her love story with Owen Asher had
long ceased to be talked about, a new interest in it had suddenly
sprung up, owing to the fact that she had sent Owen away, and was
thinking of becoming a nun--even to such an extent her visit to the
convent had been exaggerated; and as the women lagging round her had
begun to try to draw from her an account of the motives which had
induced her to leave the stage, and the moment not seeming opportune,
even if it were not ridiculous at any moment to discuss spiritual
endeavour with these women, she determined to draw a red herring
across the trail. She told them that the public were wearying of
Wagner's operas, taste was changing, light opera was coming into
fashion.

"And in light opera I should have no success whatever, so I was
obliged to turn from the stage to the concert-room."

"We thought it was the religious element in Wagner."

A card party had come from a distant drawing-room and joined in the
discussion regarding the decline of art, and it was agreed that
motor-cars had done a great deal to contribute--perhaps they had
nothing to do with the decline of Wagner--but they had contributed
to the decline of interest in things artistic. This was the opinion
of two or three agreeable, good-looking young men; and Evelyn forgot
the women whom she had previously been talking to; and turning to the
men, she engaged in conversation and talked on and on until the
clock struck eleven. Then the disposition of every one was for bed.
Whispers went round, and Lady Ascott trotted upstairs with Evelyn,
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