Seven designs for the new church were submitted, including three from
Benham architects. The leaven of influence exercised by spirits like
Mrs. Taylor was only just beginning to work, and the now common custom
of competing outside one's own bailiwick was still in embryo. Mr.
Pierce's design was bold and sumptuous. His brother-in-law stated
oracularly not long before the day when the plans were to be opened:
"Pierce is not a man to be frightened out of a job by frills. Mark my
words; he will give us an elegant thing." Mr. Pierce had conceived the
happy thought of combining a Moorish mosque and New England
meeting-house in a conservative and equitable medley, evidently hoping
thereby to be both picturesque and traditional. The result, even on
paper, was too bold for some of his admirers. The chairman was heard to
remark: "I shouldn't feel as though I was in church. That dome set among
spires is close to making a theatre of the house of God."

The discomfiture of the first architect of Benham cleared the way for
the triumph of Mrs. Taylor's taste. The design submitted by Wilbur
Littleton of New York, seemed to her decidedly the most meritorious. It
was graceful, appropriate, and artistic; entirely in harmony with
religious associations, yet agreeably different from every day
sanctuaries. The choice lay between his and that presented by Mr. Cass,
a Benham builder--a matter-of-fact, serviceable, but very conventional
edifice. The hard-headed stove dealer on the committee declared in favor
of the native design, as simpler and more solid.

"It'll be a massive structure" he said, "and when it's finished no one
will have to ask what it is. It'll speak for itself. Mr. Cass is a solid
business man, and we know what we'll get. The other plan is what I call