retrieving his own past error.

Contrast Ariel with Caliban. Show the skill of Caliban's first
appearance as some slow-moving thing, half of water, half of earth, in
contrast with Ariel's second appearance as a nymph. What may be
learned of Caliban's traits from Miranda's speech (as in the Folio,
but by various editors given to Prospero): 'Abhorred slave,' etc.? Do
you think this speech should be given to Prospero? What signs are
there of Caliban's having a good mind? Do you think Prospero's tyranny
over Caliban altogether justified? Is Caliban's penitence consistent
with his nature? How far does Ariel proceed independently of Prospero?
Is he really fond of him?

QUERIES FOR DISCUSSION

Is there any bond of love between Prospero and his servants? Do the
relations between them illustrate the impossibility of gratitude?

2. THE LOVERS

Is the love of Ferdinand and Miranda an enchantment caused by
Prospero, or an emotion he can help, but not cause? If not caused by
him, does Shakespeare depart from magic to the detriment of the play?
Would it be better, for example, if a love philter was introduced for
consistency's sake? (For literary use of the love philter, see
Tennyson's 'Lucretius.') Does it reflect against Ferdinand's courage
that he was first to quit the ship? Are Miranda's speeches about her
grandmother (I, ii, 140) and to Caliban inconsistent with the maidenly
innocence assumed to be characteristic of her? Do you consider her
talk with Ferdinand (III, i) in character? Is she undutiful to her