THE CHARACTERS

Three groups of characters appear in the play--the main group
belonging to the Court; the learned group, Armado, the, schoolmaster,
and the Curate; and the native group, Costard, Jaquenetta, Dull, and
Moth. The two latter subordinate groups add much to the Play. Show in
what respects: as to Plot interest what do they add? As to merriment
and significance? Is the morality and wit of the Play contributed to
by them? Are they of interest in themselves, apart from their relation
to the other characters? Are Costard and Jaquenetta the only happy
lovers in the Play? Why?

Is the King, kingly? In what respects, do you think, does he evince
youth and inexperience? When does he begin seriously to be in love? Is
the Princess justified in disciplining him? How much of her discipline
is due to the event that cuts short the Play? Judging from his
character, do you think he will stand the "twelvemonth" test?

Is Berowne the oldest as well as the deepest and wisest of the men?
How does he show all this?

Why does Rosaline discipline him? Is she in insight superior to him as
the Princess is to the King? Are the other court ladies equally wise
in the probation period they allot?

Are all the men--Costard included--so much a prey to a sort of foppery
of expression and love of animal spirits as to be properly subject to
the satire the play provides for them? Are the women more sane in this
respect, despite their wit, or not?