which surrounds them, and which are much smaller than they. But I hold
also that in luminous solids such as charcoal or metal made red hot in
the fire, this same movement is caused by the violent agitation of
the particles of the metal or of the wood; those of them which are on
the surface striking similarly against the ethereal matter. The
agitation, moreover, of the particles which engender the light ought
to be much more prompt and more rapid than is that of the bodies which
cause sound, since we do not see that the tremors of a body which is
giving out a sound are capable of giving rise to Light, even as the
movement of the hand in the air is not capable of producing Sound.

Now if one examines what this matter may be in which the movement
coming from the luminous body is propagated, which I call Ethereal
matter, one will see that it is not the same that serves for the
propagation of Sound. For one finds that the latter is really that
which we feel and which we breathe, and which being removed from any
place still leaves there the other kind of matter that serves to
convey Light. This may be proved by shutting up a sounding body in a
glass vessel from which the air is withdrawn by the machine which Mr.
Boyle has given us, and with which he has performed so many beautiful
experiments. But in doing this of which I speak, care must be taken to
place the sounding body on cotton or on feathers, in such a way that
it cannot communicate its tremors either to the glass vessel which
encloses it, or to the machine; a precaution which has hitherto been
neglected. For then after having exhausted all the air one hears no
Sound from the metal, though it is struck.

One sees here not only that our air, which does not penetrate through
glass, is the matter by which Sound spreads; but also that it is not
the same air but another kind of matter in which Light spreads; since