The Eddaic series of the Volsung and Niflung lays terminates with the
Lay of Hamdir; the one entitled Gunnar's Melody is no doubt a
comparatively late composition; yet being written in the true ancient
spirit of the North is well deserving of a place among the Eddaic
poems. Nor, indeed, is the claim of the Lay of Grotti to rank among
the poems collected by Sæmund, by any means clear, we know it only
from its existence in the Skalda; yet on account of its antiquity, its
intrinsic worth, and its reception in other editions of the Edda, both
in original and translation, the present work would seem, and justly
so, incomplete without it.

The Prose, or Younger Edda, is generally ascribed to the celebrated
Snorre Sturleson, who was born of a distinguished Icelandic family, in
the year 1178, and after leading a turbulent and ambitious life, and
being twice the supreme magistrate of the Republic, was killed A.D.
1241,[4] by three of his sons-in-law and a stepson. When Snorre was
three years old, John Loptson of Oddi, the grandson of Sæmund the
Wise, took him into fosterage. Snorre resided at Oddi until his
twentieth year, and appears to have received an excellent education
from his foster father, who was one of the most learned men of that
period. How far he may have made use of the manuscripts of Sæmund and
Ari, which were preserved at Oddi, it is impossible to say, neither do
we know the precise contents of these manuscripts; but it is highly
probable that the most important parts of the work, now known under
the title of "The Prose Edda," formed a part of them, and that
Snorre--who may be regarded as the Scandinavian Euhemerus--merely
added a few chapters, in order to render the mythology more
conformable to the erroneous notions he appears to have entertained
respecting its signification. Be this as it may, the Prose Edda, in