of which represents the Virgin and Holy Child. Here, in Hare Lane, is
also a similar inn, the Old Raven Tavern, which has suffered much in
the course of ages. It was formerly built around a courtyard, but only
one side of it is left.

[Illustration: The Falstaff Inn, Canterbury]

There are many fine examples of old houses that are not inns in
Gloucester, beautiful half-timbered black and white structures, such
as Robert Raikes's house, the printer who has the credit of founding
the first Sunday-school, the old Judges' House in Westgate Street, the
old Deanery with its Norman room, once the Prior's Lodge of the
Benedictine Abbey. Behind many a modern front there exist curious
carvings and quaintly panelled rooms and elaborate ceilings. There is
an interesting carved-panel room in the Tudor House, Westgate Street.
The panels are of the linen-fold pattern, and at the head of each are
various designs, such as the Tudor Rose and Pomegranate, the Lion of
England, etc. The house originally known as the Old Blue Shop has some
magnificent mantelpieces, and also St. Nicholas House can boast of a
very elaborately carved example of Elizabethan sculpture.

We journey thence to Tewkesbury and visit the grand silver-grey abbey
that adorns the Severn banks. Here are some good inns of great
antiquity. The "Wheat-sheaf" is perhaps the most attractive, with its
curious gable and ancient lights, and even the interior is not much
altered. Here too is the "Bell," under the shadow of the abbey tower.
It is the original of Phineas Fletcher's house in the novel _John
Halifax, Gentleman_. The "Bear and the Ragged Staff" is another
half-timbered house with a straggling array of buildings and curious
swinging signboard, the favourite haunt of the disciples of Izaak