produce such wondrous work. A great characteristic of these early
sculptures is the curious interlacing scroll-work, consisting of
knotted and interlaced cords of divers patterns and designs. There is
an immense variety in this carving of these early artists. Examples
are shown of geometrical designs, of floriated ornament, of which the
conventional vine pattern is the most frequent, and of rope-work and
other interlacing ornament. We can find space to describe only a few
of the most remarkable.

The famous Bewcastle Cross stands in the most northern corner of the
county of Cumberland. Only the shaft remains. In its complete
condition it must have been at least twenty-one feet high. A runic
inscription on the west side records that it was erected "in memory of
Alchfrith lately king" of Northumbria. He was the son of Oswy, the
friend and patron of St. Wilfrid, who loved art so much that he
brought workmen from Italy to build churches and carve stone, and he
decided in favour of the Roman party at the famous Synod of Whitby. On
the south side the runes tell that the cross was erected in "the first
year of Ecgfrith, King of this realm," who began to reign 670 A.D. On
the west side are three panels containing deeply incised figures, the
lowest one of which has on his wrist a hawk, an emblem of nobility;
the other three sides are filled with interlacing, floriated, and
geometrical ornament. Bishop Browne believes that these scrolls and
interlacings had their origin in Lombardy and not in Ireland, that
they were Italian and not Celtic, and that the same sort of designs
were used in the southern land early in the seventh century, whence
they were brought by Wilfrid to this country.

Another remarkable cross is that of Ruthwell, now sheltered from wind
and weather in the Durham Cathedral Museum. It is very similar to that