The High Deeds of Finn and other Bardic Romances of Ancient Ireland by T. W. Rolleston
page 22 of 247 (08%)
page 22 of 247 (08%)
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by its conceiver, but all the more significant, of the transition
time. Short as it is, few tales, perhaps, are more deeply charged with spiritual meaning. [4] I speak here of the better known of the two versions of this encounter of the pagan with the Christian spirit. There are others in which the reconciliation is carried still further. One example is to be found in the _Colloquy of the Ancients_ (SILVA GADELICA). Here Finn and his companions are explicitly pronounced to be saved by their natural virtues, and the relations of the Church and the Fenian warriors are most friendly. Independent of these three cycles, but often touching them here and there, and borrowing from them, there are a number of miscellaneous tales which range from the earliest times till the coming of the Danes. The most celebrated of these are the _Storming of the Hostel_ with the death of Conary the High King of Ireland, and the story of the Boru tribute. Two examples of these miscellaneous tales of a high antiquity are contained in this book--_King Iubdan and King Fergus_ and _Etain and Midir_. Both of them have great charm and delightfulness. Finally, the manner in which these tales grew into form must be remembered when we read them. At first, they were not written down, but recited in hall and with a harp's accompaniment by the various bardic story-tellers who were attached to the court of the chieftain, or wandered singing and reciting from court to court. Each bard, if he was a creator, filled up the original framework of the tale with ornaments of his own, or added new events or personages to the tale, |
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