An Illustrated History of Ireland from AD 400 to 1800 by Mary Frances Cusack
page 43 of 897 (04%)
page 43 of 897 (04%)
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are, they are only burdened with the traditions of a few centuries at
the most; and unless there is evidence of a wilful object or intent to falsify their chronicles, we may in the main depend on their accuracy. Let us see how this applies to Gaedhilic history. The labours of the late lamented Eugene O'Curry have made this an easy task. He took to his work a critical acumen not often attained by the self-educated, and a noble patriotism not often maintained by the gifted scions of a country whose people and whose literature have been alike trodden down and despised for centuries. The result of his researches is embodied in a work[1] which should be in the hands of every student of Irish history, and of every Irishman who can afford to procure it. This volume proves that the _early_ history of Ireland has yet to be written; that it should be a work of magnitude, and undertaken by one gifted with special qualifications, which the present writer certainly does not possess; and that it will probably require many years of patient labour from the "host of Erinn's sons," before the necessary materials for such a history can be prepared. The manuscript materials for ancient Irish history may be divided into two classes: the historical, which purports to be a narrative of facts, in which we include books of laws, genealogies, and pedigrees; and the legendary, comprising tales, poems, and legends. The latter, though not necessarily true, are generally founded on fact, and contain a mass of most important information, regarding the ancient customs and manner of life among our ancestors. For the present we must devote our attention to the historical documents. These, again, may be divided into two classes--the lost books and those which still remain. Of the former class the principal are the CUILMENN, _i.e._, the great book written on skins; the SALTAIR OF TARA; the BOOK OF THE UACHONGBHAIL (pron. "ooa cong-wall"); the CIN DROMA SNECHTA; and the SALTAIR OF CASHEL. Besides |
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