"It was the most laughable we ever witnessed. In the first scene one of
those marble statues, so peculiar to John T.'s mismanagement, that
resemble granite in a bad state of small-pox, fell over.

"The house was amazed to see it resolve itself into a board, and laughed
tumultuously to note how it righted itself up in a mysterious manner, and
stood in an easy reclining posture till the curtain fell.

"The scene that exhibited the balcony affair was a sweet thing. Evidently
the noble house of the Capulets was in reduced circumstances. The building
from which Juliet issued was a frame structure so frail in material that
we feared a collapse.

"If the carpenter who erected that structure for the Capulets charged more
than ten dollars currency he swindled the noble old duffer infamously. The
front elevation came under that order of architecture known out West as
Conestoga. It was all of fifteen feet in height, and depended for
ornamentation on a brilliant horse cover thrown over the corner of the
balcony, and a slop bucket that Juliet was evidently about to empty on the
head of Romeo when that youth made his presence known. The house shook so
under Juliet's substantial tread, that an old lady near us wished to be
taken out, declaring that 'that young female would get her neck broken
next thing.'

"In the last scene where the page (Miss Lulu Dickson) was ordered to
extinguish the torch, the poor girl made frantic efforts, but failing,
walked off with the thing blazing.

"When Paris entered with his page, a youth in a night shirt, that youth
carried in his countenance the fixed determination of putting out his