The Present State of Wit (1711) - In a Letter to a Friend in the Country by John Gay
page 27 of 54 (50%)
page 27 of 54 (50%)
![]() | ![]() |
|
"_Philo_ comes _piping hot_ out of the College, and having his Head full
of Poetical Gingles, writes an _Elegy_, a _Panegyrick_ or a _Satyr_ upon the least frivolous Occasion: This brings him acquainted with all the _Second-Rate Wits_; One of these introduces him at _Will's_, and having a Play upon the Stocks, and ready to be Launch'd, he prevails with _Philo_ to write him a _Song_, a _Dialogue_, a _Prologue_ and _Epilogue_, in short, the Trimming of his Comedy. By this time, _Philo_ begins to think himself a great Man, and nothing less than the writing of a Play, can satisfie his towring Ambition; well, the Play is writ, the Players, upon the Recommendation of those that lick'd it over, like their Parts to a Fondness, and the _Comedy_, or _Tragedy_, being supported partly by its real Merit, but most powerfully by a _Toasting_, or _Kit-cat-Club_, comes off with universal Applause. How _slippery_ is _Greatness_! _Philo_ puff'd up with his Success, writes a second Play, scorns to improve it by the Corrections of better Wits, brings it upon the Stage, without securing a Party to protect it, and has the Mortification to hear it _Hist_ to death. Pray how many _Philos_ do we reckon in Town since the Revolution? "The reason we have had so many _ill Plays_ of late, is this; The extraordinary _Success_ of the worst Performances encourages every Pretender to Poetry to Write; Whereas the indifferent Reception some excellent Pieces have met with, discourages our best Poets from Writing. "After all, one of the boldest Attempts of Human Wit, is to write a taking _Comedy_: For, how many different sorts of People, how many various Palates must a Poet please, to gain a general Applause? He must have a _Plot_ and _Design_, _Coherence_ and _Unity_ of _Action_, _Time_ and _Place_, for the Criticks, _Polite Language_ for the Boxes, _Repartee_, _Humor_, and _Double Entendres_ for the Pit; and to the |
|