was curly and one was straight, has more than a grain of truth in it.
The curved line was used persistently until the last years of Louis XV's
time, but it was a beautiful, gracious curve, elaborate, and in
furniture, richly carved, which was used during the best period. The
decline came when good taste was lost in the craze for rococo.

Chairs were carved and gilded, or painted, or lacquered, and also
beautiful natural woods were used. The sofas and chairs had a general
square appearance, but the framework was much curved and carved and
gilded. They were upholstered in silks, brocades, velvets, damasks in
flowered designs, edged with braid. Gobelin, Aubusson and Beauvais
tapestry, with Watteau designs, were also used. Nothing more dainty or
charming could be found than the tapestry seats and chair backs and
screens which were woven especially to fit certain pieces of furniture.
The tapestry weavers now used thousands of colors in place of the
nineteen used in the early days, and this enabled them to copy with
great exactness the charming pictures of Watteau and Boucher. The idea
of sitting on beautiful ladies and gentlemen airily playing at country
life, does not appeal to our modern taste, but it seems to be in accord
with those days.

Desks were much used and were conveniently arranged with drawers,
pigeon-holes and shelves, and roll-top desks were made at this time.
Commodes were painted, or richly ornamented with lacquer panels, or
panels of rosewood or violet wood, and all were embellished with
wonderful bronze or ormolu. Many pieces of furniture were inlaid with
lovely Sèvres plaques, a manner which is not always pleasing in effect.
There were many different and elaborate kinds of beds, taking their
names from their form and draping. "_Lit d'anglaise_" had a back,
head-board and foot-board, and could be used as a sofa. "_Lit a