Furnishing the Home of Good Taste - A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of Today by Lucy Abbot Throop
page 65 of 170 (38%)
page 65 of 170 (38%)
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_Robert Adam_ Robert Adam was the second of the four sons of William Adam, and was born in 1728. The Adam family was Scotch of good social position. Robert early showed a talent for drawing. He was ambitious, and, as old Roman architecture interested him above all other subjects, he decided that he could attain his ideals only by study and travel in Italy. He returned to England in 1758 after four years of hard work with the results of his labors, the chief treasure being his careful drawings of Diocletian's villa. His classical taste was firmly established, and was to be one of the important influences of the eighteenth century. Robert and James Adam went into partnership and became the most noted architects of their day in England. The list of their buildings is long and interesting, and much of their architectural and decorative work is still in existence. To many people it will seem like putting the cart before the horse to say that Robert Adam had in any way influenced the style we call Louis XVI, but it is a plausible theory and certainly an interesting one. Mr. G. Owen Wheeler in his interesting book on "Old English Furniture" makes a strong case in favor of the Adam Brothers. Classical taste was well established in England by 1765, before the transition from Louis XV to Louis XVI began, and Robert Adam published his book in parallel columns of French and English, which shows it must have been in some demand in France. The great influence of the excavations at Pompeii must naturally not be underestimated, as it was far reaching, but with the beautiful |
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