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Furnishing the Home of Good Taste - A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of Today by Lucy Abbot Throop
page 65 of 170 (38%)


_Robert Adam_


Robert Adam was the second of the four sons of William Adam, and was
born in 1728. The Adam family was Scotch of good social position. Robert
early showed a talent for drawing. He was ambitious, and, as old Roman
architecture interested him above all other subjects, he decided that he
could attain his ideals only by study and travel in Italy. He returned
to England in 1758 after four years of hard work with the results of his
labors, the chief treasure being his careful drawings of Diocletian's
villa. His classical taste was firmly established, and was to be one of
the important influences of the eighteenth century.

Robert and James Adam went into partnership and became the most noted
architects of their day in England. The list of their buildings is long
and interesting, and much of their architectural and decorative work is
still in existence.

To many people it will seem like putting the cart before the horse to
say that Robert Adam had in any way influenced the style we call Louis
XVI, but it is a plausible theory and certainly an interesting one. Mr.
G. Owen Wheeler in his interesting book on "Old English Furniture" makes
a strong case in favor of the Adam Brothers. Classical taste was well
established in England by 1765, before the transition from Louis XV to
Louis XVI began, and Robert Adam published his book in parallel columns
of French and English, which shows it must have been in some demand in
France. The great influence of the excavations at Pompeii must naturally
not be underestimated, as it was far reaching, but with the beautiful
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