in the same strain. Some of his earliest inspirations were drawn from
Burns, and he tells us of his joy when one day, after the visit of the
old Scotchman, his schoolmaster loaned him a copy of that poet's works.
"I began to make rhymes myself, and to imagine stories and adventures,"
he says in his simple way.

Indeed, he began to rhyme very early and kept his gift a secret from
all, except his oldest sister, fearing that his father, who was a
prosaic man, would think that he was wasting time. He wrote under the
fence, in the attic, in the barn--wherever he could escape observation;
and as pen and ink were not always available, he sometimes used chalk,
and even charcoal. Great was the surprise of the family when some of his
verses were unearthed, literally unearthed, from under a heap of rubbish
in a garret; but his father frowned upon these evidences of the bent of
his mind, not out of unkindness, but because he doubted the sufficiency
of the boy's education for a literary life, and did not wish to inspire
him with hopes which might never be fulfilled.

His sister had faith in him, nevertheless, and, without his knowledge,
she sent one of his poems to the editor of _The Free Press_, a newspaper
published in Newburyport. Whittier was helping his father to repair a
stone wall by the roadside when the carrier flung a copy of the paper to
him, and, unconscious that anything of his was in it, he opened it and
glanced up and down the columns. His eyes fell on some verses called
"The Exile's Departure."

"Fond scenes, which delighted my youthful existence,
With feelings of sorrow I bid ye adieu--
A lasting adieu; for now, dim in the distance,
The shores of Hibernia recede from my view.