Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 21 of 472 (04%)
page 21 of 472 (04%)
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which could be produced therefrom by comparatively
simple means, otherwise we would not be confronted with the fact that no specimens of ink writing of natural origin remain to us. The very few specimens of ink writing which have outlasted decay and disintegration through so many ages, are found to be closely allied to materials like bitumen, lampblack obtained from the smoke of oil- torches or resins; or gold, silver, cinnabar and minium. Josephus asserts that the books of the ancient Hebrews were written in gold and silver. "Sicca dewat" (A silver ink standeth), as the ancient Arabic proverb runs. Rosselini asserts: "the monumental hireoglyphics of the Egyptians were almost invariably painted with the liveliest tints; and when similar hireoglyphics were executed on a reduced scale, and in a more cursive form upon papyri or scrolls made from the leaves of the papyrus the pages were written with both black and colored inks." The early mode of ink writing in biblical times mentioned in Numbers v. 23, where It is said "the |
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