Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 45 of 472 (09%)
page 45 of 472 (09%)
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The Museum of Bruchion was not burnt with
the library which was attached to it. Strabo acquaints us, in his description of it, that it was a very large structure near the palace, and fronting the port; and that it was surrounded with a portico, in which the philosophers walked. He adds, that the members of this society were governed by a president, whose station was so honourable and important, that, in the time of the Ptolemies, he was always chosen by the king himself, and afterwards by the Roman emperor; and that they had a hall where the whole society ate together at the expense of the public, by whom they were supported in a very plentiful manner." Among the other events contributing to the deplorable losses which mankind has sustained in this respect, a sad one was when the most ancient ink writings of the Chinese were ordered to be destroyed by their emperor Chee-Whange-Tee, in the third century before Christ, with the avowed purpose that everything should begin anew as from his reign. The small portion of them which escaped destruction were recovered and preserved by his successors. CHAPTER III. CLASSICAL INK AND ITS EXODUS. |
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