Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 52 of 472 (11%)
page 52 of 472 (11%)
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"TO HIS BOOK.
"Nor shall huckleberries stain (literally veil) thee with purple juice: That color is not becoming to lamentations. Nor shall title (or head-letter) be marked with vermillion, or paper with cedar, Thou shalt carry neither white nor black horns on thy forehead (or front, or frontispiece)." The traditions handed down as of this era relating to the efforts to find some substitute for "Indian" ink which would not only "bind" to parchment and vellum but also would be satisfactory to the priests, are more or less confirmed by the younger Pliny, and makes it safe to assume that several were invented and employed in writing, though possessing but little lasting qualities. Their use and natural disappearance is perhaps the real cause of the fact that there are no original MSS. extant dating as of or belonging to the time immediately preceding or following the birth of Christ, or indeed until long after his death. There is some authority though for the statement that at this time two vitriolic substances were used in the preparation of black ink,--a slime or sediment (Salsugo) and a yellow vitriolic earth (Misy). This last-named mineral, is unquestionably the same natural chemical mentioned by writers, which about the end of the first century was designated "kalkanthum" or |
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