Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 78 of 472 (16%)
page 78 of 472 (16%)
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another as they were of all other classes of society.
If we wish to form a clear picture of this earliest stage of civilization, an age which represents at once the naivete of childhood and the suspicious reticence of senility, we must turn our eyes to the priest, on the one hand, claiming as his own all art and science, and commanding respect by his contemptuous silence; and, on the other hand, to the mechanic plying the loom, extracting the Tyrian dye, practising chemistry, though ignorant of its very name, despised and oppressed, and only tolerated when he furnished Religion with her trappings or War with arms. Thus the growth of chemistry was slow, and by reason of its backwardness it was longer than any other art in ridding itself of the leading-strings of magic and astrology. Practical discoveries must have been made many times without science acquiring thereby any new fact. For to prevent a new discovery from being lost there must be such a combination of favorable circumstances as was rare in that age and for many succeeding ages. There must be publicity, and publicity is of quite recent growth; the application of the discovery must be not only possible but obvious, as satisfying some want. But wants are only felt as civilization progresses. Nor is that all; for a practical discovery to become a scientific fact it must serve to demonstrate the error of one hypothesis, and to suggest a new one, better fitted for the synthesis of existing facts. But |
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