Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 80 of 472 (16%)
page 80 of 472 (16%)
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I think it is not difficult to conceive how forgeries
of remote events, before the invention of printing and the general diffusion of knowledge might gain an authority, and especially with the zealous, hardly inferior to that of the most genuine history." De Vinne, however, in his "Invention of Printing," New York, 1878, best explains the status quo of those times, relative not only to book (MSS.) making, and methods of circulation, but the causes which led up to their eventual disappearance and the literary darkness which ensued. His remarks are so pertinent that they are quoted at length: "The civilization of ancient Rome did not require printing. If all the processes of typography had been revealed to its scholars the art would not have been used. The wants of readers and writers were abundantly supplied by the pen. Papyrus paper was cheap, and scribes were numerous; Rome had more booksellers than it needed, and books were made faster than they could be sold. The professional scribes were educated slaves, who, fed and clothed at nominal expense, and organized under the direction of wealthy publishers, were made so efficient in the production of books, that typography, in an open competition, could have offered few advantages. "Our knowledge of the Roman organization of labor in the field of bookmaking is not as precise as |
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