Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 86 of 472 (18%)
page 86 of 472 (18%)
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As practiced it was pretty much under the control of the different religious denominations and the information obtainable about inks from these sources is but fragmentary. What has come down to us of this particular era is mostly found on the old written Hebrew relics, showing that they at least had made no innovations in respect to the use of their ritualistic deyo. The invention of the quill pen in the sixth century permitted a degree of latitude in writing never before known, the inks were made thinner and necessarily were less durable in character. Greater attention was given to the study and practice of medicine and alchemy which were limited to the walls of the cloister and secret places. The monk physicians endeavored by oral instructions and later by written ones to communicate their ink-making methods not only of the black and colored, but of secret or sympathetic inks, to their younger brethren, that they might thus be perpetuated. All the traditional and practical knowledge they possessed was condensed into manuscript forms; additions from other hands which included numerous chemical receipts for dyeing caused them to multiply; so that as occasion required from time to time, they were bound up together booklike and then circulated among favored secular individuals, under the name of "Secreta." |
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