A Voyage in the 'Sunbeam' by Annie Allnut Brassey
page 90 of 539 (16%)
page 90 of 539 (16%)
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who are great connoisseurs of these articles, and can distinguish
their quality at a glance, would not hesitate to cut our throats in order to obtain possession of them. The material of which they are made is of the closest texture, and as the hair has never been dressed or dyed it retains all its natural oil and original colour, the latter varying from a very pretty yellow fawn to a pale cream-colour. The majority of the ponchos worn here are, however, made at Manchester, of a cheap and inferior material. They look exactly like the real thing at first sight, but are neither so light nor so warm, nor do they wear at all well. Occasionally they are made of silk, but more often of bright-coloured wool. In shape a poncho is simply a square shawl with a hole in the middle for the head of the wearer. On horseback the appearance is particularly picturesque, and it forms also a convenient cloak, which comes well over the saddle, before and behind, and leaves the arms, though covered, perfectly free. The natives, as a rule, wear a second poncho, generally of a different colour, tucked into the waistband of their long full linen drawers (_calzoncillos_), so as to make a pair of short baggy over-trousers. A poor man is content with a shirt, drawers, and two ponchos. A rich man has many rows of fringe and frills of lace at the bottom of his _calzoncillos_, and wears a short coat, with silver buttons, and a gorgeous silver belt, covered with dollars. His horse-fittings and massive stirrups (to say nothing of his enormous spurs) will be of solid silver, and his arms inlaid with the same metal. He will sometimes give as much as from 10_l_. to 20_l_. for a pair of stirrups alone, and the rest of his dress and equipment is proportionately expensive. The cost of the silver articles is little more than the |
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