The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez
page 114 of 502 (22%)
page 114 of 502 (22%)
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as if they had just escaped from a fashion sheet, her eyes sought other
women, not so well dressed, fat, with theatrical ermine and antique jewelry. When these high-born dames met each other in the vestibule, they spoke with heavy voices and expressive gestures, emphasizing their words energetically. The daughter of the ranch ventured to salute them because she had subscribed to all their pet charities, and upon seeing her greeting returned, she felt a satisfaction which made her momentarily forget her woes. They belonged to those families which her father had so greatly admired without knowing why. They came from the "mother country," and to the good Chicha were all Excelentisimas or Altisimas, related to kings. She did not know whether to give them her hand or bend the knee, as she had vaguely heard was the custom at court. But soon she recalled her preoccupation and went forward to wrestle in prayer with God. Ay, that he would mercifully remember her! That he would not long forget her son! . . . It was Glory that remembered Julio, stretching out to him her arms of light, so that he suddenly awoke to find himself surrounded by all the honors and advantages of celebrity. Fame cunningly surprises mankind on the most crooked and unexpected of roads. Neither the painting of souls nor a fitful existence full of extravagant love affairs and complicated duels had brought Desnoyers this renown. It was Glory that put him on his feet. A new pleasure for the delight of humanity had come from the other side of the seas. People were asking one another in the mysterious tones of the initiated who wish to recognize a familiar spirit, "Do you know how to tango? . . ." The tango had taken possession of the world. It was the heroic hymn of a humanity that was suddenly concentrating its aspirations on the harmonious rhythm of the thigh joints, measuring its |
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