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The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez
page 121 of 502 (24%)
would cuddle down with her head on his shoulder, as though imploring
his protection, although always in the open air. If Julio ever attempted
greater intimacy in a carriage, madame would repel him most vigorously.
A contradictory duality appeared to inspire her actions. Every morning,
on awaking, she would decide to yield, but then when near him, her
middle-class respectability, jealous of its reputation, kept her
faithful to her mother's teachings.

One day she agreed to visit his studio with the interest that the
haunts of the loved one always inspires. "Promise that you will not take
advantage of me." He readily promised, swearing that everything should
be as Marguerite wished. . . . But from that day they were no longer
seen in the gardens, nor wandering around persecuted by the winter
winds. They preferred the studio, and Argensola had to rearrange his
existence, seeking the stove of another artist friend, in order to
continue his reading.

This state of things lasted two months. They never knew what secret
force suddenly disturbed their tranquility. Perhaps one of her friends,
guessing at the truth, had told the husband anonymously. Perhaps it was
she herself unconsciously, with her inexpressible happiness, her tardy
returns home when dinner was already served, and the sudden aversion
which she showed toward the engineer in their hours alone, trying to
keep her heart faithful to her lover. To divide her interest between her
legal companion and the man she loved was a torment that her simple and
vehement enthusiasm could not tolerate.

While she was hurrying one night through the rue de la Pompe, looking at
her watch and trembling with impatience at not finding an automobile
or even a cab, a man stood in front of her. . . . Etienne Laurier! She
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