The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez
page 123 of 502 (24%)
page 123 of 502 (24%)
|
always spoke with the affection of a father. The millionaire, in
spite of his reputation for miserliness, had even volunteered his disinterested support if at any time it should become necessary to enlarge the plant. And it was this good man's happiness that his son, a frivolous and useless dancer, was going to steal! . . . At first Laurier spoke of a duel. His wrath was that of a work horse who breaks the tight reins of his laboring outfit, tosses his mane, neighs wildly and bites. The father was greatly distressed at the possibility of such an outcome. . . . One scandal more! Julio had dedicated the greater part of his existence to the handling of arms. "He will kill the poor man!" he said to the senator. "I am sure that he will kill him. It is the logic of life; the good-for-nothing always kill those who amount to anything." But there was no killing. The Father of the Republic knew how to handle the clashing parties, with the same skill that he always employed in the corridors of the Senate during a ministerial crisis. The scandal was hushed up. Marguerite went to live with her mother and took the first steps for a divorce. Some evenings, when the studio clock was striking seven, she would yawn and say sadly: "I must go. . . . I have to go, although this is my true home. . . . Ah, what a pity that we are not married!" And he, feeling a whole garden of bourgeois virtues, hitherto ignored, bursting into bloom, repeated in a tone of conviction: "That's so; why are we not married!" |
|