The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez
page 191 of 502 (38%)
page 191 of 502 (38%)
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a certain remorse before the enthusiasm of the foreigners who were
offering their blood for France. Many were lamenting that the government should delay twenty days, until after they had finished the operations of mobilization, in admitting the volunteers. And he, a Frenchman born, a few hours before, had been mistrusting his country! . . . In the daytime the popular current was running toward the Gare de l'Est. Crowded against the gratings was a surging mass of humanity stretching its tentacles through the nearby streets. The station that was acquiring the importance of a historic spot appeared like a narrow tunnel through which a great human river was trying to flow with many rippling encounters and much heavy pressure against its banks. A large part of France in arms was coursing through this exit from Paris toward the battlefields at the frontier. Desnoyers had been in the station only twice, when going and coming from Germany. Others were now taking the same road. The crowds were swarming in from the environs of the city in order to see the masses of human beings in geometric bodies, uniformly clad, disappearing within the entrance with flash of steel and the rhythm of clanking metal. The crystal archways that were glistening in the sun like fiery mouths were swallowing and swallowing people. When night fell the processions were still coming on, by light of the electric lamps. Through the iron grills were passing thousands and thousands of draught horses; men with their breasts crossed with metal and bunches of horsehair hanging from their helmets, like paladins of bygone centuries; enormous cases that were serving as cages for the aeronautic condors; strings of cannon, long and narrow, painted grey and protected, by metal screens, more like astronomical instruments than mouths of death; masses and masses of red kepis (military caps) moving in marching rhythm, rows and rows of |
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