The Relation of the Hrolfs Saga Kraka and the Bjarkarimur to Beowulf - A Contribution To The History Of Saga Development In England And The - Scandinavian Countries by Oscar Ludvig Olson
page 64 of 167 (38%)
page 64 of 167 (38%)
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another harking back to the _Hrólfssaga_. Hjalti has now become as
courageous as Bjarki; he kills a live animal (instead of knocking over a dead one), and he kills it in just the same way that Bjarki killed the dragon. It can not be assumed that the author of the _rÃmur_ and the author of the saga employed this manner of dispatching the animal without any knowledge on the part of the one as to what was contained in the account of the other. In fact, it is taken for granted by all writers on the subject that the later account is an altered version of the earlier account. Hence, either this episode in the _rÃmur_ is modeled after that in the saga, and Hjalti is made to kill the bear in the same way that Bjarki killed the dragon, or the episode in the saga is modeled after that in the _rÃmur_, and Bjarki is made to kill the dragon in the same way that Hjalti killed the bear. Is there any doubt as to what has occurred? The former is natural and to be expected, and is probably what has taken place, because: 1. in all the versions of the story Hjalti is represented as having undergone a change that has caused him to become very much like Bjarki--"equal to Bjarki," as it is stated in the _rÃmur_, where he is represented as having killed a ferocious beast in the same manner that Bjarki, in the saga, killed a winged monster; 2. it was not unusual to represent dragons as having been killed by being pierced under the shoulder,[117] since a dragon had to be pierced where its scales did not prevent the entrance of a weapon into its body; 3. since there is no special reason why a bear, which is vulnerable in all parts of the body, should be represented as being pierced through the shoulder, the manner in which Hjalti is said to have killed the bear is evidently another unmotivated incident in the _rÃmur_ that is imitated from a motivated incident in the saga. What the author of the _rÃmur_ has done to give the story the form in which we find it in his composition is quite plain. He noticed that, as |
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