Famous Violinists of To-day and Yesterday by Henry C. Lahee
page 41 of 220 (18%)
page 41 of 220 (18%)
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Italian virtuoso.
Lafont was a prolific composer, but few of his works have survived. He was also the owner of a magnificent Guarnerius violin, which is now said to be the property of Adolf Brodsky. As a composer Spohr probably influenced the modern style of violin playing even more than as a player, for he lifted the concerto to the dignity of a work of art, whereas it had formerly been simply a show piece, though not always without merit. He set a great example of purity of style and legitimate treatment of the instrument, and is considered to have had a more beneficial effect on violin playing than Paganini, who was born in the same year, 1784. Louis Spohr was the son of a physician, who, two years after Louis was born at Brunswick, took up his residence at Seesen, where the childhood of the future virtuoso was passed. Both father and mother were musical, the former playing the flute, while the latter was a pianist and singer. It is said that young Spohr showed his talents remarkably early, and was able to sing duets with his mother when only four years of age. At five he began to learn the violin and at six he could take part in Kalkbrenner's trios. He also began to compose music, and under his father's methodical guidance acquired the habit of finishing everything that he began to write, without erasure or alteration. His instruction in the art of composition was confined to the mere rudiments, and he acquired the art chiefly by studying the scores of the great composers. Spohr's first public appearance was at a school concert, and such was his success that he was asked to repeat the performance at a concert given by the duke's band. More study ensued, and then, at the age of |
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