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Famous Violinists of To-day and Yesterday by Henry C. Lahee
page 41 of 220 (18%)
Italian virtuoso.

Lafont was a prolific composer, but few of his works have survived. He
was also the owner of a magnificent Guarnerius violin, which is now said
to be the property of Adolf Brodsky.

As a composer Spohr probably influenced the modern style of violin
playing even more than as a player, for he lifted the concerto to the
dignity of a work of art, whereas it had formerly been simply a show
piece, though not always without merit. He set a great example of
purity of style and legitimate treatment of the instrument, and is
considered to have had a more beneficial effect on violin playing than
Paganini, who was born in the same year, 1784.

Louis Spohr was the son of a physician, who, two years after Louis was
born at Brunswick, took up his residence at Seesen, where the childhood
of the future virtuoso was passed. Both father and mother were musical,
the former playing the flute, while the latter was a pianist and singer.
It is said that young Spohr showed his talents remarkably early, and was
able to sing duets with his mother when only four years of age. At five
he began to learn the violin and at six he could take part in
Kalkbrenner's trios. He also began to compose music, and under his
father's methodical guidance acquired the habit of finishing everything
that he began to write, without erasure or alteration. His instruction
in the art of composition was confined to the mere rudiments, and he
acquired the art chiefly by studying the scores of the great composers.

Spohr's first public appearance was at a school concert, and such was
his success that he was asked to repeat the performance at a concert
given by the duke's band. More study ensued, and then, at the age of
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