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Famous Violinists of To-day and Yesterday by Henry C. Lahee
page 46 of 220 (20%)

On his return to Germany in 1817 Spohr was appointed conductor of the
Opera at Frankfort-on-the-Main, where his opera "Faust" was now
produced, also "Zemire and Azor." Owing to difficulties with managers
again he left Frankfort after a stay of only two years, and his next
venture was a visit to England, where he appeared at the concerts of the
Philharmonic Society in London. His success was brilliant, for his
clear style and high artistic capacity, added to his reputation as a
composer, carried him into popularity, and the artistic world vied with
the public in doing honour to him. At his farewell concert, his wife
made her last appearance as a harp player, for on account of ill-health
she was obliged to give it up, and thereafter she played only the
pianoforte.

On his way home from England Spohr visited Paris for the first time, and
made the personal acquaintance of Kreutzer, Viotti, Habeneck, Cherubini,
and other eminent musicians, who received him with the greatest
cordiality. But the public did not seem to appreciate his merits, for
his quiet, unpretentious style was not quite in keeping with the taste
of the French.

On his return to Germany Spohr settled in Dresden, and remained there
until 1822, when he became Hofkapellmeister to the Elector of
Hesse-Cassel, and he remained in Cassel for the rest of his life. This
position he obtained on the advice of Weber.

In 1831 he completed his great "Violin School," which has ever since its
publication been considered a standard work. The following year the
political disturbances interfered with the opera performances at Cassel,
and caused him much annoyance. In 1834 he lost his wife, but his work of
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