we find him asserting his independence. His father, who intended him to
be a clergyman, engaged a private tutor named Musaeus, who, when he
found that Ole's musical tastes conflicted with his studies, forbade him
to play the violin, so that the boy could only indulge at night in an
inclination which, under restraint, became a passion. Ole and his
brothers had long and patiently borne both with cross words and blows
from this worthy pedagogue, and at length decided to rebel. Accordingly
when one morning at half-past four the tutor appeared and dragged out
the youngest from his warm bed, Ole sprang upon him and a violent
struggle ensued. The household was aroused, and in a few moments the
parents appeared on the spot in time to see Musaeus prostrate upon the
floor and suing for peace. Contrary to his expectations, Ole found
himself taken more into his father's confidence, and as a result he
became more desirous than ever of carrying out his father's wishes.

In 1828 he went to the university in Christiania, where, in spite of the
best intentions, he soon found himself musical director of the
Philharmonic and Dramatic Societies, a position which gave him
independence, and somewhat consoled him for his failure to pass his
entrance examinations for the university. His father reluctantly forgave
him, and he was now, in spite of everything, fairly launched upon a
musical career.

He was not long contented to remain in Christiania. His mind was in a
state of restless agitation, and he determined to go to Cassel, and
seek out Spohr, whose opinion he desired to secure. He accordingly left
Christiania on May 18, 1829. His departure was so hurried that he left
his violin behind, and it had to be forwarded to him by his friends.
This suddenness was probably caused by the fact that he had taken part
in the observance of Independence Day on May 17th, a celebration which