Nonsense, Impertinence, Vice, and Debauchery." Under this attractive
heading, Defoe noticed current scandals, his club being represented as a
tribunal before which offenders were brought, their cases heard, and
sentence passed upon them. Slanderers of the True-Born Englishman
frequently figure in its proceedings. It was in this section also that
Defoe exposed the errors of contemporary news-writers, the _Post-man_,
the _Post-Boy_, the _London Post_, the _Flying Post_, and the _Daily
Courant_. He could not in his prison pretend to superior information
regarding the events of the day; the errors which he exposed were
chiefly blunders in geography and history. The Mercure Scandale was
avowedly intended to amuse the frivolous. The lapse of time has made its
artificial sprightliness dreary. It was in the serious portion of the
_Review_, the Review proper, that Defoe showed most of his genius. The
design of this was nothing less than to give a true picture, drawn with
"an impartial and exact historical pen," of the domestic and foreign
affairs of all the States of Europe. It was essential, he thought, that
at such a time of commotion Englishmen should be thoroughly informed of
the strength and the political interests and proclivities of the various
European Powers. He could not undertake to tell his readers what was
passing from day to day, but he could explain to them the policy of the
Continental Courts; he could show how that policy was affected by their
past history and present interests; he could calculate the forces at
their disposal, set forth the grounds of their alliances, and generally
put people in a position to follow the great game that was being played
on the European chess-board. In the _Review_, in fact, as he himself
described his task, he was writing a history sheet by sheet, and letting
the world see it as it went on.

This excellent plan of instruction was carried out with incomparable
brilliancy of method, and vivacity of style. Defoe was thoroughly master