Tender, and his Affection for the Prince likely to prove very useful to
his Memory.

Hamlet's whole Conduct, during the Play which is acted before the King,
has, in my Opinion, too much Levity in it. His Madness is of too light a
Kind, although I know he says, he must be idle; but among other Things,
his Pun to _Polonius_ is not tolerable. I might also justly find Fault
with the want of Decency in his Discourses to _Ophelia_, without being
thought too severe. The Scene represented by the Players is in wretched
Verse. This we may, without incurring the Denomination of an ill-natur'd
Critick, venture to pronounce, that in almost every Place where
_Shakespeare_ has attempted Rhime, either in the Body of his Plays, or
at the Ends of Acts or Scenes, he falls far short of the Beauty and
Force of his Blank Verse: One would think they were written by two
different Persons. I believe we may justly take Notice, that Rhime
never arrived at its true Beauty, never came to its Perfection in
_England_, until long since _Shakespeare's_ Time.

The King's rising with such Precipitation, and quitting the Play upon
seeing the Resemblance of his own foul Crime, is very much in Nature,
and confirms the Penetration of our Author's Hero.


Page 302.

Hamlet's Pleasantry upon his being certified that his Uncle is Guilty,
is not a-propos in my Opinion. We are to take Notice that the Poet has
mix'd a Vein of Humour in the Prince's Character, which is to be seen in
many Places of this Play. What was his Reason for so doing, I cannot
say, unless it was to follow his Favourite _Foible_, viz. that of