express it) some acquired Passions which the lower sort are ignorant of.
Thus indeed it seems at first Sight; but on a nearer View they are found
to be, as I said, the same Passions augmented or refined, and turned
upon other Objects. The different Manner in which one of _Corneille's_
or _Racine's_ Pieces would be received by an Audience of _Turks_ or
_Russians_, and an Audience of _Frenchmen_, (supposing the former to
understand the Language, and the latter to be free from any national
Prejudices for the Authors) is a lively and strong Emblem of the Force
of Education and Custom among Creatures, all cast in the same Mould, and
endued with the same Faculties and Passions with very little real
Difference. Still farther, we may observe, that even good Acting will
recommend some bad Pieces, as bad Acting will take away half the Merit
of good Ones; and some National Subjects are pleasing (as the _Albion
Queens_ and _Earl_ of _Essex_) to the Many, tho' they very little
affect the Few. When I speak of Plays, I desire to be understood of
Tragedies, in which I think the _English_ excell; for I can mention very
few of our Comedies with any Approbation; since in the Latter, neither
the Morals of the Inhabitants of this Nation are regarded, or Nature
followed. In short, not to pursue a Subject, that would carry me great
Lengths, I conclude from this, that a Piece which has no Merit in it but
Nature, will please the Vulgar; whereas exalted Sentiments, and Purity
and Nobleness of Diction, as well as Nature, are absolutely requisite to
please those of a true Taste. And it is very possible, that a Play which
turns upon some great Passion, seldom felt by the Vulgar, and wherein
that Passion is treated with the greatest Delicacy and Justness; I say,
it is very possible that such a Piece may please the Few, and displease
the Many. And as a Proof of the bad Taste of the Multitude, we find in
this Nation of ours, that a vile _Pantomime_ Piece, full of Machinery,
or a lewd blasphemous Comedy, or wretched Farce, or an empty obscure low
Ballad Opera, (in all which, to the scandal of our Nation and Age, we